Coffee Log, Year 2, Day 223

Hi.

Coffee:  Americano, Caribou Coffee; like being back in university, it’s become a tradition for me to get a Caribou Americano on Sundays;; caffeinated church; I’ve been trading coffee traditions every couple months; the espresso was warming today, which went well with the second chilly morning of Fall

Sitting outside for five minutes while the dog ran around the park, L told me about his job. He works at a printing company and injured his hand on one of the machines. He’s been delegated to office duty, which he enjoys, but there’s politics involved that have him doing busy work because he hasn’t ‘earned’ the cushy spot off the lines. When he heals, there’s a chance he’ll be right back down there, stacking paper, pushing hot sheets through big machines. One thing he says he’s missing is the community – “Those guys all want to get to know you,” he says about the line workers. They were teaching him Spanish and had him over for barbecue on one of their birthdays.

I’ve been listening to the 1619 Project podcasts. I’m 3 deep in the show. In the second episode, they go over how American Capitalism has long roots in slavery, how its management practices come from foremen on the cotton fields. On the 3rd episode, it talks about how pop culture began in minstrel shows.

Two weeks from now I’m getting a promotion. It’s a new position and next year I’ll be learning investments. I feel good about the promotion because it means I’ll have more chances to hear peoples’ stories, and I feel good about the promotion because it means more money for not too much more work. There was a bit in that 2nd episode of the podcast where they talked about banking. Back in the 19th century, banks were trading bonds but the bonds weren’t backed by the treasury, or equity, but on the most valuable property at the time, human slaves. Many banks grew big and wealthy with this practice. Families were separated, white men were rich, and half the world had forgotten how to care.

Some people say that Autumn is a ghostly season. Those cold misty mornings, spirits slipping out of graves. I like this idea, and I’ve always like the celebration, the shared horror, popcorn face-masks and candy-corn, festive Halloween. But deep down below the sugar is a sicker stuff, the dead rot of history climbing through the tubers, coming out not in Autumn but under the hottest white July, to sweat and pool wherever you’re stepping, always under you, always out of site, but present, so present it sticks, and even when you take the afternoon shower to wash the grime down the drain, it never goes away.

Currently Reading: Queen, Suzanne Crain Miller

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You would get nowhere telling him that weeds too have tubers, or that the first sign of loose teeth is something rotten, something degenerate, deep within the gums.

Zadie Smith, White Teeth

Coffee Log, Year 2, Day 215

Hi.

Coffee: Americano, Caribou Coffee; I bought a slice of lemon bread with it; sunny as the last day of summer; the coffee was good, but it gave me a stomach ache

I went to a smoothie shop selling dark chocolate blended with blueberries, dates and bananas. Decadent. That’s not a word you can use without sounding like an asshole, but in this case it’s the best fit for the experience. The shop looked like an Apple store. Everyone else was wearing earbuds and athleisure.

I’ve been thinking about ‘whiteness.’ I come from a culture that cut itself from sea water, salt blocks, tart and fragile. It has no bones. It’s not English, not Italian, not even ‘American.’ Four hundred years ago, my ancestors saw themselves in the pages of ancient empires. They walked the bleached marble columns of Rome. They bought ships and blasted themselves on open waters. They brought swords and axes to carve and conquer different land.

That’s the thing: the history of ‘whiteness’ is in an admiration for imperialism. It’s not based in an organic community, not a long-term culture that binds itself to land, to rituals, to shared songs. It’s too reclusive for that, sustained on separation. It’s alchemy. It’s fool’s gold. And like all good alchemy, it’s bound by blood.

The ancient Greeks understood Achilles to be a part of themselves. They saw the might and beauty of a man unbound by culture and law. But they also saw how fearful was that life, and so they celebrated instead their customs, language, ritual sacrifices, a pantheon of Gods. But 400 years ago on a re-reading, my ancestors took Achilles to mean the will to power. They salivated at the lines where he declares himself free to feast on the flesh of his opponents. Power is everything. So ‘White’ men defined a kind of capitalism, a system of goods and demands, something to run the ships back and forth across the oceans, a raison d’etre, no celebration, not good enough just to survive, but the bloody sustenance of seeing themselves as ‘more than,’ ‘better,’ as living gods.

How do you destroy yourself? You rip the heart out of someone else’s humanity. You light fires to everything that stands against you. You enslave black families in Africa, brown-skinned Native Americans, anything that doesn’t look like you. Because you know you’re fragile, that you lost your culture, your community, cut out your own bones. When you look in the mirror, you can’t stand to see yourself as a sand castle. You must be white marble, flawless, a writhing God.

It does no good not to acknowledge it, my inherited, persistent sin. It does no good to pretend I’m somehow better because I’m aware of it. All that’s left is effort, and the ability to give it to a better future.

Life is made up of marble and mud.

Nathaniel Hawthorne

Coffee Log, Year 2, Day 211

Hi.

Coffee:  Maxwell House Master Blend, Office Coffee

Two planes passed over, then I saw a bat. Unlike the planes, the bat moved this and that way, zigging to the sounds we were making. I’d like to be something that sees you with its ears – I’d like letting our introductions draw out as long as breath.

I listened to an episode of The State of Things with Frank Stasio. It’s a UNC-produced podcast they play each day on NPR. Today, they were talking about the 1619 Project, modern black artists, the persistent culture that came from four hundred years of slavery. Two lines stood out: in his acceptance speech for an Emmy, Jharrel Jerome says the only black stories people want to reward are those having to do with pain; and regarding the 1619 Project, the panel mentioned how capitalism’s core was born in the brutalism of treating people as expendable bodies. In short, the whole thing really bummed me out.

At the end of work, when the lines died down, the office got to talking about the death penalty. Someone made a joke about firing squads, the joke dug into more serious things. The office was split on whether or not we ought to be killing our prisoners, but there was a general consensus that at least SOMEONE ought to die. That kind of scared me. One woman said she’s friends with a prison preacher. Her friend told her how she’s stopped checking the records of the prisoners she gives their last rites – it’s easier to see them as people if you forget what they’ve done.

We had a bag of split peas at the house that were growing weevils. Our best guess of how they got there was they laid eggs in the processing plant, or the farm, and now the eggs have hatched. The whole bag was moving, millions. We set it out in the garbage to be hauled off because what else could we do?

The bat dived so low I thought she’d hit us. Then she was back up. If you close your eyes and listen, it’s easier to hear the breathy stuff, the reeds, the deep dark sounds that make us all equally human. Isn’t it beautiful? I’m scared, though, that you won’t hear it, no matter how hard I try to make you.

Currently Reading: Queen, Suzanne Crain Miller

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The streetlight outside my house shines on tonight and I’m watching it like it could give me a vision. James ain’t talked ever and he looks at that streetlight like it was a word and maybe like it was a verb. James wanted to streetlight me and make me bright and beautiful so all the moths and bats would circle me like I was the center of the world an held secrets.

Sherman Alexie, The Lone Ranger and Tonto Fistfight in Heaven

Coffee Log, Year 2, Day 14

Hi.

Coffee: Maxwell House Drip, Office Coffee

I had a new conversation with an old friend. She’s at the same old job. She’s got new responsibilities. She’s working harder. They laid people off. The company’s making money but not enough. They can’t meet growth. There’s new management. There’s old wages. They don’t get raises. They get more hours. They’re all salary. They get more responsibilities. There’s a big project. An old deadline, from before the layoffs, but the new boss had a meeting with the shareholders and now there’s a new deadline a few weeks early. My old friend’s pulling out her hair. She’s drinking black coffee at midnight. She’s wearing bright scarves. We’re talking old memories.

My generation makes money for other people.

Novel Count: 29,897

Currently Reading: Killing Commendatore, Haruki Murakami; FINISHED!

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You can be young without money, but you can’t be old without it.

Tennessee Williams




Coffee Log, Day 234

Hi.

Coffee: Colombian, Starbucks Brand (grocery store bought, a gift)

The button came off a pair of my work pants. I think I can sew it but the pants are old and wearing and I’ve been meaning to get some new pairs so I went to the store. I had an ad in my email for BOGO at Express and the closest store was in Triangle Town Center so I went there. The mall’s a half hour through Raleigh. When I got there, they were doing renovations and the store was closed.

But the trip wasn’t for nothing. It was a cold day, cloudy, the kind of weather you want to break your heart to. There was a lot of traffic on the roads. I’m not used to going this way so the flighty voice of a map app guided me. She took me down Capital Boulevard. I saw many closed stores and open office parks. A newish high rise with no name and glass windows stared down a shuttered hotel. They’d been doing work on the hotel and stopped when the money ran out. The walls were chipped and the asphalt lot had big holes in it.

Triangle Town Center was much the same. Aeropostle was closed, Dillards was limping, Sears was a wasteland. Inside, many of the stores were stripped to lightbulbs and they were running big, silver, exposed ventilation around the bottom floor. Still, the mall was busy. People walked around on cell phones. Kids eyed cookies as big as their heads. It was alive but listless, broken like the gray day, a hymn to late 20th century capitalism, everyone working hard and poor to put themselves on the pages of the already half-written history books.

I didn’t buy anything. I drove home and ordered two pairs of dress pants online.

Currently Reading: Autumn, Ali Smith; Cherry, Nico Walker

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“Since the Leeburg Pike [at Tyson’s Corner] carries six to eight lanes of fast-moving traffic and the mall lacks an obvious pedestrian entrance, I decided to negotiate the street in my car rather than on foot. This is a problem planners call the ‘drive to lunch syndrome,’ typical of edge nodes where nothing is planned in advance and all the development takes place in isolated ‘pods’.” – Dolores Hayden, Building Suburbia: Green Fields and Urban Growth, 1820-2000

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