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Coffee: Maxwell House Master Blend, Office Coffee
There’s a man in a long tweed coat walking hundreds of miles to meet me. He’s got a long stride. He keeps his hands in his pockets with bent elbows. He keeps his hair tied up in a wide-brim hat. Nobody knows how long it is.
On his coat he’s woven pictures. They’re scattered like tattoos. Bright white fishes spring like chickens on the hem, dancing wildly around underwater mountains. His back is seabirds, and he’s fixed old wet trees around his loin. The tweed coat is so expansive there’s no limit to what it can capture. On his left shoulder is a small picture, two children, a torn down house, and gray rising water.
There are rumors: some say the man was born just one week ago, others say they’ve seen him for a hundred years. He’s the kind of character that creates stories in dark bars or the backseats of fast-moving cars as they hurry away from something. Like all stories, he slips in and out of different colors as he’s passed along.
I heard a story about hurricanes on NPR. It said that as the world warms the trade winds weaken, so big dark storms will move slower and with more force. Hearing that made me think about a paper mill I used to pass riding with my parents on the way to South Carolina, the way it stank like scared animals, and the heavy white cloud that cast off from the factory, rising through the atmosphere, angry at having been kept cooped up for so long.
Right now, the man’s walking around Wilmington. He’s reaching out his long, sweat-thick fingers. He might not find me – I’m good at hiding – but he’ll leave his mark, making sure I can’t forget that he’s here.
Currently Reading: Queen, Suzanne Crain Miller
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You will always be fond of me. I represent to you all the sins you never had the courage to commit.
Oscar Wilde, The Picture of Dorian Gray
Livesay Writing 